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Several of these examples don't actually identify a track of awesome music, and many of them are grammatically awkward and/or incorrect.


* Shirou Sagisu being the head composer guarantees this series has awesome music by the wazoo. Besides that inherent benefit, Kimagure Orange Road, when taken alone, has a great amount of songs that are heavily awash with purely 80's aesthetics and Japanese citypop, no doubt one of the reasons the anime is loved by the Vaporwave/Future Funk community. For further reference, the majority are preserved [[https://www.youtube.com/watch?v=3mQ3k6d2thI here]].

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* Shirou Sagisu being the head composer guarantees this series has awesome music by the wazoo. music. Besides that inherent benefit, Kimagure ''Kimagure Orange Road, Road'', when taken alone, has a great amount of many songs that are heavily awash with purely 80's '80s aesthetics and Japanese citypop, no doubt one of the reasons the anime is loved by the Vaporwave/Future Funk community. For further reference, the majority are preserved [[https://www.youtube.com/watch?v=3mQ3k6d2thI here]].here]].
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* The third and final opening,"Kagami no naka no actress" by Meiko Nakahara is arguably the most full-blooded J-pop number of the three with its fast-paced tempo and searing guitar backing. It's also a ''tour-de-force'' of 2D cel animation.
* The first ending, "Natsu no mirage" by Kanako Wada, further emphasized the breezily romanticized summer-themed aesthetic of the anime.
* The second ending, Wada Kanako attacks again with "Sad Heart Burning" with crazy riffs and accords that inspired a generation to mix.
* In the final ending of the main series, "Dance in Memories" by Meiko Nakahara gains a nostalgic, but melancholic feeling to recall sweet teenage years you may never lived.
* Some of the best soundtrack themes like Madoka many sax solos were compiled in the albums like Kimagure Orange Road Best Collection, Kimagure Orange Road Single Collection and Madoka Piano Files
* Two of the best songs of the series are not featured in openings or endings. "[[https://www.youtube.com/watch?v=lZgY6JvVaAc Salvia no Hana no you ni]]" by Kanako Wada plays in a particular tense episode of conflict, setting the red string of love between the two main characters. Other is the definitive last scream of the 80's Japan, the almost glam rock sounding but awesome song featured in the one of the {{OVA}}s, "[[https://www.youtube.com/watch?v=UuT8T7EFGUg Kaze no Manazashi]]" by Yuiko Tsubakura will take anyone of the chair at the first synth riffs.

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* The third and final opening,"Kagami opening, "Kagami no naka no actress" by Meiko Nakahara Nakahara, is arguably the most full-blooded J-pop number of the three with its fast-paced tempo and searing guitar backing. It's also a ''tour-de-force'' of 2D cel animation.
* The first ending, "Natsu no mirage" by Kanako Wada, further emphasized emphasizes the breezily romanticized summer-themed aesthetic of the anime.
* The For the second ending, Wada Kanako attacks again with "Sad Heart Burning" Burning", with crazy riffs and accords chords that inspired a generation to mix.
* In the final ending of the main series, "Dance in Memories" by Meiko Nakahara gains a nostalgic, but melancholic feeling to recall sweet teenage years you may never lived.
* Some of the best soundtrack themes like Madoka many sax solos were compiled in the albums like Kimagure Orange Road Best Collection, Kimagure Orange Road Single Collection and Madoka Piano Files
lived.
* Two of the best songs of the series are not featured in openings or endings. "[[https://www.youtube.com/watch?v=lZgY6JvVaAc Salvia no Hana no you ni]]" by Kanako Wada plays in a particular particularly tense episode of conflict, setting the red string of love between the two main characters. Other is the definitive last scream of the 80's Japan, the The almost glam rock sounding but awesome song featured in the one of the {{OVA}}s, rock-sounding "[[https://www.youtube.com/watch?v=UuT8T7EFGUg Kaze no Manazashi]]" by Yuiko Tsubakura Tsubakura, featured in one of the {{OVA}}s, is the definitive last scream of '80s Japan and will take knock anyone of the off their chair at the first synth riffs.
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* The first ending , "Natsu no mirage" by Kanako Wada, further emphasized the breezily romanticized summer-themed aesthetic of the anime.

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* The first ending , ending, "Natsu no mirage" by Kanako Wada, further emphasized the breezily romanticized summer-themed aesthetic of the anime.



* Some of the best soundtrack themes like Madoka many sax solos were compiled in the albums like Kimagure Orange Road Best Collection , Kimagure Orange Road Single Collection and Madoka Piano Files

to:

* Some of the best soundtrack themes like Madoka many sax solos were compiled in the albums like Kimagure Orange Road Best Collection , Collection, Kimagure Orange Road Single Collection and Madoka Piano Files
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* Shirou Sagisu being the head composer guarantees this series has awesome music by the wazoo. Besides that inherent benefit, Kimagure Orange Road, when taken alone, has a great amount of songs that are heavily awash with purely 80's aesthetics and Japanese citypop, no doubt one of the reasons the anime is loved by the Vaporwave/Future Funk community. For further reference, the majority are preserved [[https://www.youtube.com/watch?v=3mQ3k6d2thI here]].
* The first opening, "Night of Summer Side" by Masanori Ikeda, plunges the viewer straight into the key components of the anime's aesthetic: a lighthearted, energetic showcase of urban young love through an unapologetically late '80s lens (as the falsetto vocals and synthesized cowbells clearly reveal).
* The second opening, "Orange Mystery" by Hideyuki Nagashima, adopts a more wistful and leisurely tone than its predecessor, dually capturing a more summer-esque atmosphere and mirroring the growth in the show's focal romance around the point of its introduction.
* The third and final opening,"Kagami no naka no actress" by Meiko Nakahara is arguably the most full-blooded J-pop number of the three with its fast-paced tempo and searing guitar backing. It's also a ''tour-de-force'' of 2D cel animation.
* The first ending , "Natsu no mirage" by Kanako Wada, further emphasized the breezily romanticized summer-themed aesthetic of the anime.
* The second ending, Wada Kanako attacks again with "Sad Heart Burning" with crazy riffs and accords that inspired a generation to mix.
* In the final ending of the main series, "Dance in Memories" by Meiko Nakahara gains a nostalgic, but melancholic feeling to recall sweet teenage years you may never lived.
* Some of the best soundtrack themes like Madoka many sax solos were compiled in the albums like Kimagure Orange Road Best Collection , Kimagure Orange Road Single Collection and Madoka Piano Files
* Two of the best songs of the series are not featured in openings or endings. "[[https://www.youtube.com/watch?v=lZgY6JvVaAc Salvia no Hana no you ni]]" by Kanako Wada plays in a particular tense episode of conflict, setting the red string of love between the two main characters. Other is the definitive last scream of the 80's Japan, the almost glam rock sounding but awesome song featured in the one of the {{OVA}}s, "[[https://www.youtube.com/watch?v=UuT8T7EFGUg Kaze no Manazashi]]" by Yuiko Tsubakura will take anyone of the chair at the first synth riffs.

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