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** Donald Pleasance's backstory was that America had rejoined the British Empire in this dystopian future, so the president would no longer need to be a national. But even without that, he sounds more like a New Englander and doesn't stick out too much.
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* Why wasn't the bridge just blown up instead of mined?
** Some bean counter in the government figured that it would be cheaper to mine the bridges instead of demolishing them or physically separating the roadway. After all, you can't just blow up the bridges like it's a game of ''VideoGame/RiverRaid'' -- the United States Police Force will still be patrolling the other side of the wall, and carelessly demolishing the bridges could cause structural damage to their side. But if you've got a source of cheap surplus mines (maybe some antiquated leftovers from the latest US Army refresh), you can buy them for pennies on the dollar, sprinkle them on the bridges, and call it a day.
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** I read it less as him being pissed off because he wasn't going to tell Snake at all, and more pissed off because the doctor insisted on having the beans spilled before Hauk was ''ready'' to spill them. Telling Snake at that very minute wastes valuable time that Snake could be using to get in his glider, fly across the harbour, and rescue the president on Snake freaking out and threatening the doctor and such. I suspect Hauk was planning on telling Snake that little detail at a point when it would be far too late for him to turn back or do anything about it -- such as, say, over the radio when he was already flying over the harbour and not in a position to threaten Hauk or anyone else ("Oh, by the way, Snake, in case you had any cute ideas about turning that bird around towards Canada, something we forgot to tell you about those injections you had...").

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** I read it less as him being pissed off because he wasn't going to tell Snake at all, and more pissed off because the doctor insisted on having the beans spilled before Hauk was ''ready'' to spill them. Telling Snake at that very minute wastes valuable time that Snake could be using to get in his glider, fly across the harbour, and rescue the president on Snake freaking out and threatening the doctor and such. I suspect Hauk was planning on telling Snake that little detail at a point when it would be far too late for him to turn back or do anything about it -- such as, say, over the radio when he was already flying in the cockpit moments before beginning his flight over the harbour and not in a position to threaten Hauk or anyone else ("Oh, by the way, Snake, in case you had any cute ideas about turning that bird around towards Canada, something we forgot to tell you about those injections you had...").
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** I read it less as him being pissed off because he wasn't going to tell Snake at all, and more pissed off because the doctor insisted on having the beans spilled before Hauk was ''ready'' to. Telling Snake at that very minute wastes valuable time that Snake could be using to get in his glider, fly across the harbour, and rescue the president on Snake freaking out and threatening the doctor and such. I suspect Hauk was planning on telling Snake that little detail at a point when it would be far too late for him to turn back or do anything about it -- such as, say, over the radio when he was already flying over the harbour and not in a position to threaten Hauk or anyone else ("Oh, by the way, Snake, in case you had any cute ideas about turning that bird around towards Canada, something we forgot to tell you about those injections you had...").

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** I read it less as him being pissed off because he wasn't going to tell Snake at all, and more pissed off because the doctor insisted on having the beans spilled before Hauk was ''ready'' to.to spill them. Telling Snake at that very minute wastes valuable time that Snake could be using to get in his glider, fly across the harbour, and rescue the president on Snake freaking out and threatening the doctor and such. I suspect Hauk was planning on telling Snake that little detail at a point when it would be far too late for him to turn back or do anything about it -- such as, say, over the radio when he was already flying over the harbour and not in a position to threaten Hauk or anyone else ("Oh, by the way, Snake, in case you had any cute ideas about turning that bird around towards Canada, something we forgot to tell you about those injections you had...").
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** I read it less as him being pissed off because he wasn't going to tell Snake at all, and more pissed off because the doctor insisted on having the beans spilled before Hauk was ''ready'' to. Telling Snake at that very minute wastes valuable time that Snake could be using to get in his glider, fly across the harbour, and rescue the president on Snake freaking out and threatening the doctor and such. I suspect Hauk was planning on telling Snake that little detail at a point when it would be far too late for him to turn back or do anything about it -- such as, say, over the radio when he was already flying over the harbour and not in a position to threaten Hauk or anyone else ("Oh, by the way, Snake, in case you had any cute ideas about turning that bird around towards Canada, something we forgot to tell you about those injections you had...").
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* This bothered me when I first saw the film, and even more so on repeated viewings. ''Why'' was Hauk planning on not telling Snake about the explosive charges in his neck? He's plainly pissed at the doctor for insisting on it. He has to develop a plan to get the President out, time is of the essence, Snake has a decent chance at pulling it off, and he can't take a chance on Snake bailing out ''because he needs Snake to rescue the President,'' which was the reason for the charges in the first place. So why waste all that effort by not telling Snake about the explosive charges? If he didn't tell Snake about the charges and Snake flies off in the glider, then Snake dies and he's right back to square one with even less time to come up with something. The smart play would have been to implant the charges, tell Snake all about it, and then go from there (which is exactly what happened anyway).
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** If you look at a map you’ll see that a plane flying from Washington DC to Hartford would fly right over New York City.
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** Let's be brutally frank here; in Prison New York, when you need to go, you almost certainly just go wherever's most convenient and safest. While a number two might pose some further issues here, a quick piss is as simple as the nearest tree or wall or gutter. It no doubt helps to watch where you're walking in the city, but since everyone has bigger issues anyway it likely doesn't matter that much: the city's big enough to find a private spot when needed.
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** One can assume the US government does have backup copies but they're not readily available (Snake probably knew this and just wanted to humiliate the president). The sequel demonstrates this.

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** I get the feeling from the rant that the female hijacker announces over the radio and the overall way that everyone else on the plane is acting that the hijacking was more of a murder-suicide mission than a kidnapping; "Let's make a statement by hijacking Air Force One and crashing it into the largest and most dangerous prison in the world, thus killing the President in the most prominent symbol of his oppressive neo-fascist government!" being the most likely form of logic used by the terrorists. Revealing what they're doing just before they crash allows them to make the statement whilst minimizing the opportunities for the authorities to somehow intervene and stop them. As for location, the plane probably wasn't supposed to be anywhere near the prison airspace, but the terrorists diverted it there.

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** I get the feeling from the rant that the female hijacker announces over the radio and the overall way that everyone else on the plane is acting that the hijacking was more of a murder-suicide mission than a kidnapping; "Let's make a statement by hijacking Air Force One and crashing it into the largest and most dangerous prison in the world, thus killing the President in the most prominent symbol of his oppressive neo-fascist government!" being the most likely form of logic used by the terrorists. Revealing what they're doing just before they crash allows them to make the statement whilst minimizing the opportunities for the authorities to somehow intervene and stop them.
**
As for location, the plane probably wasn't supposed to be anywhere near the prison airspace, but the terrorists just diverted it there.there. Note that Hauk and his subordinates initially seem surprised that a plane is flying anywhere near the prison airspace at all, and are utterly flabbergasted when the callsign is revealed to be Air Force One.
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Up To Eleven is a defunct trope


** In addition to the above, it's part of the satire of the movies; Carpenter's using the sci-fi conceit of the films to in part make a comment on the world he was living in, which as others said was one where political corruption and extremism, increasing crime levels, urban gang warfare and ghettoization were major concerns, both in New York (the late seventies / early eighties) and Los Angeles (the nineties). The prison / sealed off from the mainland scenarios are conceits that enable Carpenter to show what happens when you turn these problems UpToEleven. Another reason is, essentially, RuleOfCool.

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** In addition to the above, it's part of the satire of the movies; Carpenter's using the sci-fi conceit of the films to in part make a comment on the world he was living in, which as others said was one where political corruption and extremism, increasing crime levels, urban gang warfare and ghettoization were major concerns, both in New York (the late seventies / early eighties) and Los Angeles (the nineties). The prison / sealed off from the mainland scenarios are conceits that enable Carpenter to show what happens when you turn these problems UpToEleven.up a notch. Another reason is, essentially, RuleOfCool.
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** No, it's just good old RuleOfDrama: there's no story if everyone's dead because the United States and the Soviet Union nuked each other into cinders. The fact that the US and the USSR are having some kind of military clashes with each other is intended to suggest that the setting of the story is [=FUBAR=] and dystopian and overall Not At All Good, and there are a few hints here and there that the world might actually be heading towards nuclear armageddon, but considering it the future of an alternative history is, well, over-thinking it a little bit. The viewer is free to WMG such a situation if they really want to, but ultimately the history and worldbuilding isn't really the point, it's really just there to support the premise by allowing the viewer to picture the kind of world where turning Manhattan into a giant free-range prison is actually a half-decent idea.

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** No, it's just good old RuleOfDrama: there's no story if everyone's dead because the United States and the Soviet Union nuked each other into cinders. The fact that the US and the USSR are having some kind of military clashes with each other is intended to suggest that the setting of the story is [=FUBAR=] and dystopian and overall Not At All Good, and there are a few hints here and there that the world might actually be heading towards nuclear armageddon, but considering it the future of an alternative history is, well, over-thinking it a little bit. The viewer is entirely free to WMG such a situation if they really want to, of course, but ultimately the history and worldbuilding isn't really the point, it's really just there to support the premise by allowing the viewer to picture the kind of world where turning Manhattan into a giant free-range prison is actually a half-decent idea.
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** No, it's just good old RuleOfDrama: there's no story if everyone's dead because the United States and the Soviet Union nuked each other into cinders. The fact that the US and the USSR are having some kind of military clashes with each other is intended to suggest that the setting of the story is [=FUBAR=] and dystopian and overall Not At All Good, and there are a few hints here and there that the world might actually be heading towards nuclear armageddon, but considering it the future of an alternative history is, well, over-thinking it a little bit. The viewer is free to WMG such a situation if they really want to, but ultimately the history and worldbuilding isn't really the point, it's really just there to support the premise by allowing the viewer to picture the kind of world where turning Manhattan into a giant free-range prison is actually a half-decent idea.
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* So, is this an AlternateHistory where nuclear fusion wasn't invented until 1997? That would explain why a tape describing it is such a big deal, and why a war between the U.S. and U.S.S.R. involved ground troops invading Leningrad, rather than the two sides immediately nuking each other to death. But given the opening narration devotes time to describing how New York City became a walled off penal colony in the future, it seems strange not to clarify that this isn't ''our'' future, but an alternate timeline's future.
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Society Marches On has been renamed; cleaning out misuse and moving examples


** Sort of a SocietyMarchesOn: Manhattan was a crime-ridden hellhole and rapidly falling into complete anarchy at the time the movie was released, as were the other boroughs. Everyone who could afford to had moved out into suburbs. It was entirely plausible to audiences of the day that things really could get this bad (also see ''Film/TheWarriors''), and the idea that ten years later New York would completely turn around and retake the title of a financial and cultural center of the world was fairly preposterous to most.

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** Sort of a SocietyMarchesOn: Manhattan was a crime-ridden hellhole and rapidly falling into complete anarchy at the time the movie was released, as were the other boroughs. Everyone who could afford to had moved out into suburbs. It was entirely plausible to audiences of the day that things really could get this bad (also see ''Film/TheWarriors''), and the idea that ten years later New York would completely turn around and retake the title of a financial and cultural center of the world was fairly preposterous to most.
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** New York in 1981 was MUCH different than the city we know today. Movies like DeathWish and Film/TheWarriors were disturbingly accurate in showing life in the city at the time. Almost anyone with money had fled to the suburbs. Infrastructure was completely decayed, crime and vandalism were everywhere. The city had declared bankruptcy in the late 70’s and the federal government had refused to bail the city out causing then Mayor Ed Koch to declare “America has given up on New York.” So while the premise is far-fetched. It wasn’t inconceivable that the entire city would eventually be abandoned.

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** New York in 1981 was MUCH different than the city we know today. Movies like DeathWish ''Film/DeathWish'' and Film/TheWarriors ''Film/TheWarriors'' were disturbingly accurate in showing life in the city at the time. Almost anyone with money had fled to the suburbs. Infrastructure was completely decayed, crime and vandalism were everywhere. The city had declared bankruptcy in the late 70’s and the federal government had refused to bail the city out causing then Mayor Ed Koch to declare “America has given up on New York.” So while the premise is far-fetched. It wasn’t inconceivable that the entire city would eventually be abandoned.
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** New York in 1981 was MUCH different than the city we know today. Movies like DeathWish and TheWarriors were disturbingly accurate in showing life in the city at the time. Almost anyone with money had fled to the suburbs. Infrastructure was completely decayed, crime and vandalism were everywhere. The city had declared bankruptcy in the late 70’s and the federal government had refused to bail the city out causing then Mayor Ed Koch to declare “America has given up on New York.” So while the premise is far-fetched. It wasn’t inconceivable that the entire city would eventually be abandoned.

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** New York in 1981 was MUCH different than the city we know today. Movies like DeathWish and TheWarriors Film/TheWarriors were disturbingly accurate in showing life in the city at the time. Almost anyone with money had fled to the suburbs. Infrastructure was completely decayed, crime and vandalism were everywhere. The city had declared bankruptcy in the late 70’s and the federal government had refused to bail the city out causing then Mayor Ed Koch to declare “America has given up on New York.” So while the premise is far-fetched. It wasn’t inconceivable that the entire city would eventually be abandoned.
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corrected misspellings


* First off, why the hell would air force 1 fly over the most dangerous maximum security prison in the world? Second, if these hijackers were smart, they wouldn't of just revealed what the hell they were doing over the mainland, they would do it over the sea.
** Well, as Air Force One was ''hijacked'', we can assume that it wasn't ''supposed'' to fly over Manhattan but the hijackers diverted it there once they'd gained control. Witness how shocked Hauk et al are that Air Force One is in their airspace.

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* First off, why the hell would air force 1 Air Force One fly over the most dangerous maximum security prison in the world? Second, if these hijackers were smart, they wouldn't of just have revealed what the hell they were doing while still over the mainland, mainland; rather, they would do it have waited until they were over the sea.
sea to reveal their plans.
** Well, as Air Force One was ''hijacked'', we can assume that it wasn't ''supposed'' to fly over Manhattan but the hijackers diverted it there once they'd gained control. Witness how shocked Hauk et al al. are that Air Force One is in their airspace.



*** For the sequel, California suffers "The Big One", an earthquake so vicious that it effectively turns California into a new island, and everybody is left for dead. Also remember that in this new reality, USA is no longer the most powerful nation of the world, and the whole planet is depicted as a chaotic place to live in anyways; there are no help funds, the UN either doesn't exist or its just another bureaucratic figurehead with little power and influence; why would the US bother to save California in the first place?

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*** For the sequel, California suffers "The Big One", an earthquake so vicious that it effectively turns California into a new island, and everybody is left for dead. Also remember that in this new reality, USA the U.S. is no longer the most powerful nation of the world, and the whole planet is depicted as a chaotic place to live in anyways; there are no help funds, the UN either doesn't exist or its it's just another bureaucratic figurehead with little power and influence; why would the US U.S. bother to save California in the first place?



** The ''ComicBook/EscapeFromNewYork'' comic series delves a bit more into this -- the world is on a slow slope into the gutter, with society, infrastructure and basic services sliding backwards into a NewOldWest vibe. Several cities are either shown to be destroyed/separated from the U.S. (Pennsylvania is suggested as having been destroyed, via the ShoutOut opening image representing its place in the "snake" logo, much of downtown Cleveland is destroyed during the final arc, Florida is outright separated from the country by nuclear detonations), and Snake visits several areas that are either completely devoid of people or resemble a Western town. If the situation is so bad that entire parts of the country are functionally unusable, it isn't a stretch to think that a single city (even a big one) could be walled off and used as a maximum-security prison.

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** The ''ComicBook/EscapeFromNewYork'' comic series delves a bit more into this -- the world is on a slow slope into the gutter, with society, infrastructure infrastructure, and basic services sliding backwards into a NewOldWest vibe. Several cities are either shown to be destroyed/separated from the U.S. (Pennsylvania is suggested as having been destroyed, via the ShoutOut opening image representing its place in the "snake" logo, much of downtown Cleveland is destroyed during the final arc, Florida is outright separated from the country by nuclear detonations), and Snake visits several areas that are either completely devoid of people or resemble a Western town. If the situation is so bad that entire parts of the country are functionally unusable, it isn't a stretch to think that a single city (even a big one) could be walled off and used as a maximum-security prison.



** Premarital sex isn't illegal UNTIL Escape From LA as clearly shown in that film (the plethora of moral laws weren't put in place until the US became basically a theocracy under the new President). To answer your question, yes, boatloads of teens get arrested and deported as you can see in the beginning of Escape From LA.

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** Premarital sex isn't illegal UNTIL Escape From LA as clearly shown in that film (the plethora of moral laws weren't put in place until the US U.S. became basically a theocracy under the new President). To answer your question, yes, boatloads of teens get arrested and deported as you can see in the beginning of Escape From LA.



*** No, it didn't. It is pretty obvious the tape held plans for a new power source. It is stated in the movie that the tape contains the secrets to nuclear fusion, the summit it is being shown at is a peace summit to end the war, and the ones at the summit are the biggest enemies of the US (enemies that that have killed millions of it's people). Why would the President share the plans for a new bomb to his country's biggest enemies (let alone do so at a PEACE summit), and how exactly could he hope to use said plans to control the rest of the world after handing them over to said enemies?

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*** No, it didn't. It is pretty obvious the tape held plans for a new power source. It is stated in the movie that the tape contains the secrets to nuclear fusion, the summit it is being shown at is a peace summit to end the war, and the ones at the summit are the biggest enemies of the US U.S. (enemies that that have killed millions of it's its people). Why would the President share the plans for a new bomb to his country's biggest enemies (let alone do so at a PEACE summit), and how exactly could he hope to use said plans to control the rest of the world after handing them over to said enemies?



** Thing is, even if we allow all those things... a couple of minutes and some genuine, heartfelt thanks to the people who literally saved his life aren't that much to ask at all. In fact, they're the bare minimum of someone who has literally just had his life saved. Snake isn't asking him to burst into tears or rend his garments or cancel the summit just to pour his heart out, he's just looking for a minute's honesty, some heartfelt compassion to the fallen, genuine appreciation of those who gave everything for his life, an indication that his experiences genuinely have affected him in some way. Heck, even some signs that he's traumatised would be a sign that what he's been through has affected him in some way. In short, some signs that underneath all the politics this guy actually is a sincere, genuine human being. And he doesn't get it. All he gets is some bullshit politico talk, vague non-promises, and a brush-off. Traumatised or not, as far as Snake is concerned, the guy's just an empty phony.

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** Thing is, even if we allow all those things... a couple of minutes and some genuine, heartfelt thanks to the people who literally saved his life aren't that much to ask at all. In fact, they're the bare minimum of someone who has literally just had his life saved. Snake isn't asking him to burst into tears or rend his garments or cancel the summit just to pour his heart out, he's just looking for a minute's honesty, some heartfelt compassion to the fallen, genuine appreciation of those who gave everything for his life, an indication that his experiences genuinely have affected him in some way. Heck, even some signs that he's traumatised traumatized would be a sign that what he's been through has affected him in some way. In short, some signs that underneath all the politics this guy actually is a sincere, genuine human being. And he doesn't get it. All he gets is some bullshit politico talk, vague non-promises, and a brush-off. Traumatised Traumatized or not, as far as Snake is concerned, the guy's just an empty phony.
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*** Or opting to being electrocuted on the premises if you don't want to be shipped to the prison.

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*** [[TakeTheThirdOption Or opting to being electrocuted on the premises if you don't want to be shipped to the prison.]]
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*** Or opting to being electrocuted on the premises if you don't want to be shipped to the prison.
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** The prison's resources are limited inside. He only has power inside of the prison, but it's still limited. There is nothing keeping the government from wiping all of them out. The prisoners do not have access to resources from outside of the prison, which includes any trade from outside countries. And, like anyone in power, they want more power, which is a common theme between the Duke and the President: both are authorities in power, but clearly aren't as pleased with the power they have. Considering the film was made in a post-Nixon era, it makes sense that those in authority would be perceived as power hungry (and yes, even if Snake had given the president the correct tape, it would have stopped a war. But that's the thing: A war. One war. There wouldn't have been anything to keep another war from occurring anyway. War is one of the tools used to control those under an totalitarian state. Look at ''Literature/NineteenEightyFour'' as a great example, as not only were they suppressing the people, they were using a war as a part of their tools to suppress the people. The same is true with the government within the film). Essentially, absolute power corrupts absolutely. And the Duke wanted out of the prisoner he was in because he wanted more power than he could get within the walls of the prison.

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** Also, ''Film/EscapeFromLA'' *doesn't* happen a few years later. It's more of a remake. The two stories don't co-incide in the same timeline, they're alternate versions of each other.
*** For the sequel, California suffers "The Big One", an earthquake so vicious that it effectively turns California into a new island, and everybody is left for dead. Also remember that in this new reality, USA is no longer the most powerful nation of the world, and the whole planet is depicted as a chaotic place to live in anyways; there are no help funds, the UN either doesnt exist or its just another bureaucratic figurehead with little power and influence; why would the US bother to save California in the first place?

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** Also, ''Film/EscapeFromLA'' *doesn't* happen a few years later. It's more of a remake. The two stories don't co-incide coincide in the same timeline, they're alternate versions of each other.
*** For the sequel, California suffers "The Big One", an earthquake so vicious that it effectively turns California into a new island, and everybody is left for dead. Also remember that in this new reality, USA is no longer the most powerful nation of the world, and the whole planet is depicted as a chaotic place to live in anyways; there are no help funds, the UN either doesnt doesn't exist or its just another bureaucratic figurehead with little power and influence; why would the US bother to save California in the first place?



** The ''ComicBook/EscapeFromNewYork'' comic series delves a bit more into this -- the world is on a slow slope into the gutter, with society, infrastructure and basic services sliding backwards into a NewOldWest vibe. Several cities are either shown to be destroyed/separated from the U.S. (Pennsylvania is suggested as having been destroyed, via the ShoutOut opening image representing its place in the "snake" logo, much of downtown Cleveland is destroyed during the final arc, Florida is outright separated from the country by nuclear detonations), and Snake visits several areas that are either completely devoid of people or resemble a Western town. If the situation is so bad that entire parts of the country are functionally unusable, it isn't a stretch to think that a single city (even a big one) could be walled off and used as a maximum-security prison.



** The President didnt exist in a vacuum, the world is in the state it is because of the collective effort/apathy of everyone living in it. It's pointed out more specifically in the sequel when Snake more or less just states that the world isnt worth saving because humanity has had ample opportunity to pull back from the brink yet just kept doing the same shit. Dystopian regimes dont just rely on the leader, there's literally thousands of people who could have blown his brains out at any time, but didnt lift a finger to stop him.

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** The President didnt didn't exist in a vacuum, the world is in the state it is because of the collective effort/apathy of everyone living in it. It's pointed out more specifically in the sequel when Snake more or less just states that the world isnt isn't worth saving because humanity has had ample opportunity to pull back from the brink yet just kept doing the same shit. Dystopian regimes dont don't just rely on the leader, there's literally thousands of people who could have blown his brains out at any time, but didnt didn't lift a finger to stop him.



** I agree, total dick move. Hell, I don't even think the President was as much of a jerk as everyone keeps saying. So just because he didn't go all Shatner-level {{Wangst}} that means he didn't give a shit?



** The film makes it clear that the infrastructure in New York is rotting, to put it mildly. What we see of the World Trade Center shows that it has been repeatedly defaced and ripped apart, so such an extent that it doesn't look habitable. The only reason why no one went up on the roof is because it wasn't originally accessible. Had Carpenter's plans for a certain sequence in ''Film/EscapeFromLA'' come to fruition, more individuals living in high-rise buildings, including a homeless family eating dinner in a skyscraper and a woman dancing on top of one of the buildings, would have been shown.

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** The film makes it clear that the infrastructure in New York is rotting, to put it mildly. What we see of the World Trade Center shows that it has been repeatedly defaced and ripped apart, so to such an extent that it doesn't look habitable. The only reason why no one went up on the roof is because it wasn't originally accessible.accessible, and a deleted sequence from the film would have shown the group of insane residents living on the ground floor of the WTC -- they don't find out/target the Gullfire on the roof until Brain, Maggie and the President make their way back there. Had Carpenter's plans for a certain sequence in ''Film/EscapeFromLA'' come to fruition, more individuals living in high-rise buildings, including a homeless family eating dinner in a skyscraper and a woman dancing on top of one of the buildings, would have been shown.



** Also, if there was an emergency (such as a particularly massive uprising) that was threatening to spill over to the mainland and the United States Police Force needed to get into the island ''en mass'' to deal with it quickly, then it'd be easier and quicker to ferry a large force across the bridges and through the tunnels than just relying solely on an air or naval assault. They'd know where the mines were so that wouldn't be as much of a problem and could push the ruined cars aside with tanks and heavy vehicles, but if they'd blown the bridges / tunnels they wouldn't be able to get in.

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** Also, if there was an emergency (such as a particularly massive uprising) that was threatening to spill over to the mainland and the United States Police Force needed to get into the island ''en mass'' masse'' to deal with it quickly, then it'd be easier and quicker to ferry a large force across the bridges and through the tunnels than just relying solely on an air or naval assault. They'd know where the mines were so that wouldn't be as much of a problem and could push the ruined cars aside with tanks and heavy vehicles, but if they'd blown the bridges / tunnels they wouldn't be able to get in.






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